The bandвЂ™s follow-up, New Jersey (1988), yielded five Top 10 hits and sold more than seven million records in the US.ДЇairbairn then produced AerosmithвЂ™s 1987 comeback album Permanent Vacation, which sold more than five million copies in the US. 1 on the Billboard albums chart and went on to sell more than 12 millionД¬opies. Released in 1986, the record spent eight weeks at No. After hearing FairbairnвЂ™s work on the Black вЂ™N Blue record Without Love (1985), Jon Bon Jovi enlisted the producer to work on his bandвЂ™s third studio effort, Slippery When Wet. His first US clients included Blue Г–yster Cult and heavy metal glam rock band Black вЂ™N Blue. 7 on the Billboard albums chart and selling more than four million copiesДЇairbairnвЂ™s success with Loverboy led American artists to seek his services. But the Fairbairn-produced follow-up, Get Lucky (1981), was even more successful, reaching No. Two million records in the US and more than 500,000 in Canada. 13 on the Billboard albums chart, selling more than But for me, it was the first record that was a big hit, especially in the States, so it was a milestone for me.вЂќ Loverboy (1980) peaked at No. To make that record was a very easy job because the guys played so well and they were just a real hot band at that time - all I had to do was get them in the studio, get the mikes in front of the In a 1998 interview, Fairbairn said, вЂњI think the success of the first LoverboyДЄlbum was the key to the success of my producing career. One of FairbairnвЂ™s first projects was the debut album of another Bruce Allen client, Loverboy. He set up shop at Little Mountain Sound Studios (where he had recorded the third and fourth Prism records), with his protege Bob Rock handling engineering duties. In 1980, with Bruce AllenвЂ™s encouragement, Fairbairn left Prism and undertook a career as a full-time Fairbairn produced all four records he made with the band and won his first Juno Award in 1980 as Producer of the PrismвЂ™s hit songs included вЂњSpaceship Superstar,вЂќ вЂњTake Me to the Kaptin,вЂќ вЂњDonвЂ™t Let Him KnowвЂќ and вЂњYoung and Restless.вЂќ The band toured heavily in Canada and the United States, openingДЇor such acts as Meat Loaf, the Beach Boys and Cheap Trick. They were all certified platinum in Canada, with Armageddon reaching double platinum status. Played drums in the band under the pseudonym Rodney Higgs - decided to leave the group.ДЇrom 1977 to 1980, the progressive soft-rock band released four records: Prism (1977), See Forever Eyes (1978), Armageddon (1979) and Young and Restless (1980). The band cut some demos, hired Bruce Allen as manager, changed their name to Prism and signed a deal with GRT Records. In 1976, he approached former Sunshyne bandmate Jim Vallance and Lindsay Mitchell, a guitarist in the blues-rock band Seeds of Time, to partner together in a new group called

He then landed a job working for BC Hydro,ДЄll the while working part-time to get Sunshyne off the ground. The group struggled to land a record deal, so Fairbairn returned to UBC for a masterвЂ™s degree in environmental planning, which he completed in 1974. PrismДЄfter graduating with an honours degree in biology from the University of British Columbia (UBC) in 1970, Fairbairn formed a new band called Sunshyne. Around this time, he met promoter Bruce Allen, who became a mentor and lifelong friend. He also became adept at playingДЇairbairn started playing in cover bands while attending Prince of Wales Secondary School in Vancouver and formed his own rhythm and blues outfit called the Spectres. used to get it out and play a few licks, and I was totally mesmerized by it.вЂќ Fairbairn began taking lessons around age six and eventually became classically trained on the instrument. In a 1998 interview, Fairbairn said, вЂњIt was one of those things where somebody goes down in the basement and opens up a case and thereвЂ™sДЄ shiny silver trumpet. A next door neighbour introduced Fairbairn to the trumpet when he was five years old.

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